Commercial about early parenthood
- Female
- English (Australian)
- Young Adult
- warm
- relatable
- emotional
Castings like this reach the voices who match it, by email and on their dashboard.
Get castings like thisEvery casting here arrives with the brief, the voice the client wants, the deadline and the estimated pay already on it. You choose what to read, record it in your own booth and send the take. There's nothing to bid and no invoice to chase.
This is a real casting from the board right now, exactly as the public board shows it. The client's name and the script stay private; everything you need to decide whether it's yours is on the card.
Castings like this reach the voices who match it, by email and on their dashboard.
Get castings like thisWhat it's for, who'll hear it and how it should land. Read it first: if the brief isn't you, skip it and save your voice for the next one.
Clients pick the gender, language and age they need, so the castings that reach you are the ones your voice can actually win.
Most castings stay open for a few days. Auditions that arrive early get heard while the client is still listening closely.
The estimate is set from the published rate card before the casting goes out. If the client trims the script, the fee follows the words you record.
Some voices live in one corner of this list, and plenty book across several. Here's what each kind of client is really asking for when the casting lands.
TV, radio and online spots, usually thirty or sixty seconds. Clients want a read that sounds like a person, not an announcer.
Timing to the second mattersTraining modules and courses that run for an hour or more. Steady pace, clear diction and the same sound from page one to page ninety.
Long scripts, steady paceAnimated videos that walk a customer through a product. Friendly, quick and easy to follow without ever sounding like a sales pitch.
Short scripts, quick turnaroundsBrand films, awards nights, investor and safety videos. Warm authority: the voice of a company on its best day.
Polish counts more than paceGreetings, menus and on-hold messages. Short, crisp prompts that have to sound right on a phone line, not just in headphones.
Clean edits, many short filesFiction and non-fiction, priced per finished hour. Stamina, character work and a room quiet enough for hours of close listening.
The biggest single jobsDocumentaries, charity films and museum guides. Unhurried storytelling that lets the pictures breathe.
Tone over speedGames, animation and toys. Several voices from one actor, big reactions and the stamina to keep them consistent.
Range is the selling pointFreelance voice work usually means half your week goes on finding clients, quoting and chasing money. Here that half is our job.
When the job closes, your fee goes to your PayPal within the week. Plenty of clients also book straight from a voice's profile without a casting at all.
Hit record in your booth and say nothing for ten seconds. Then play it back with the volume right up. If you hear a fridge, traffic, a computer fan or the room ringing, a client will too. Fix that first and your demo does the rest.
Tell us a little about you and attach your demo. A real person listens to every one, and if your voice suits what clients are booking, castings start arriving.